Wednesday, March 13, 2013
ZIZEK: 1,000 PAGES IN 30 MINUTES.
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ARE YOU READY TO BRING THE KNIFE DOWN? Zizek is being tortured! He's upset about that. The language-game of philosophical discourse has been thrust upon him and it has been his tortured enclosure. He is an artist, a poet, a movie-goer, an attender of plays. His response therefore, is to torture this philosophy- language "back". He does this with the torsion-drive of a generic concept of "aesthetics". And he asks you to take your offspring of conceptual language (code-name Isaac) and put it on the altar before proceeding with his manuscript. Take the knife in your hand and prepare to sacrifice. Zizek is not difficult to understand. He is brilliant and accessible. But, he is a "slow-slow-slow-slow" read. That's to the 4th power. This 1,000 page book could have probably been reduced to 100 pages of conceptual presentation if you subtracted out the 900 pages of representative "thought-pictures" from the area of aesthetics he uses for illustration. You must (mandatory) have read and understood Badiou's "Being and Event"(2005) before taking on this manuscript. Zizek and Badiou have many similarities and mutually respect each other. Zizek lists his specific differences in the last section, but, by taking up Badiou's point of view, I felt these objections didn't hold much strength. Personally, I agree almost entirely with Zizek's position, so I just gained a lot of reinforcement a good part of the time. But I'm a "conceptual" kind of thinker; just "give me the facts";
ARE YOU READY TO BRING THE KNIFE DOWN? Zizek is being tortured! He's upset about that. The language-game of philosophical discourse has been thrust upon him and it has been his tortured enclosure. He is an artist, a poet, a movie-goer, an attender of plays. His response therefore, is to torture this philosophy- language "back". He does this with the torsion-drive of a generic concept of "aesthetics". And he asks you to take your offspring of conceptual language (code-name Isaac) and put it on the altar before proceeding with his manuscript. Take the knife in your hand and prepare to sacrifice. Zizek is not difficult to understand. He is brilliant and accessible. But, he is a "slow-slow-slow-slow" read. That's to the 4th power. This 1,000 page book could have probably been reduced to 100 pages of conceptual presentation if you subtracted out the 900 pages of representative "thought-pictures" from the area of aesthetics he uses for illustration. You must (mandatory) have read and understood Badiou's "Being and Event"(2005) before taking on this manuscript. Zizek and Badiou have many similarities and mutually respect each other. Zizek lists his specific differences in the last section, but, by taking up Badiou's point of view, I felt these objections didn't hold much strength. Personally, I agree almost entirely with Zizek's position, so I just gained a lot of reinforcement a good part of the time. But I'm a "conceptual" kind of thinker; just "give me the facts";
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