Saturday, August 24, 2013
JEAN-LUC NANCY: PHILOSOPHY NEEDS AESTHETICS FOR "TRUTH"
click on: direct link for file http://www.mediafire.com/listen/d69gdvxddidx4dr/nancyx1.mp3
THE LARGER PICTURE IS PRESENTED: Jean-Luc Nancy has been the one post-modern thinker to eventually rise to the top. A thinker with real substantial thought for our post-modern times. James, in recognizing this fact, devotes this text to drawing the reader into the larger context of Nancy's theory. The project is an amazing success; and illustrates the author's deep understanding of the entire movement of french post-modern thinking. Nancy becomes an extension of the "big-3" in German philosophy: Kant, Hegel, and Heidegger. James tells us that all three hover around a central problem; that of "presentation", or the eventual positing of the true. The issue first emerged with Kant who was stuck with a methodology of "schematism", where presentation is split into "darstellung" or the rational and "dichtung" or the metaphorical. Hegel tries to surpass the problem with "absolute spirit" but is trapped, according to Heidegger, in being situated in a dichotomy of "subject / object", which he cannot escape. Nancy feeds off Heidegger who also fails in presenting a "groundless subject"; and comes up with the radical post-modern notion of the imperative necessity of philosophy returning to its embeddedness in literature and aesthetics. James tells us this is where Nancy began in his early years. The later years must be filtered through this general conviction.
THE LARGER PICTURE IS PRESENTED: Jean-Luc Nancy has been the one post-modern thinker to eventually rise to the top. A thinker with real substantial thought for our post-modern times. James, in recognizing this fact, devotes this text to drawing the reader into the larger context of Nancy's theory. The project is an amazing success; and illustrates the author's deep understanding of the entire movement of french post-modern thinking. Nancy becomes an extension of the "big-3" in German philosophy: Kant, Hegel, and Heidegger. James tells us that all three hover around a central problem; that of "presentation", or the eventual positing of the true. The issue first emerged with Kant who was stuck with a methodology of "schematism", where presentation is split into "darstellung" or the rational and "dichtung" or the metaphorical. Hegel tries to surpass the problem with "absolute spirit" but is trapped, according to Heidegger, in being situated in a dichotomy of "subject / object", which he cannot escape. Nancy feeds off Heidegger who also fails in presenting a "groundless subject"; and comes up with the radical post-modern notion of the imperative necessity of philosophy returning to its embeddedness in literature and aesthetics. James tells us this is where Nancy began in his early years. The later years must be filtered through this general conviction.
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