Saturday, August 24, 2013
JEAN-LUC NANCY: PHILOSOPHY NEEDS AESTHETICS FOR "TRUTH"
click on: direct link for file http://www.mediafire.com/listen/d69gdvxddidx4dr/nancyx1.mp3
THE LARGER PICTURE IS PRESENTED: Jean-Luc Nancy has been the one post-modern thinker to eventually rise to the top. A thinker with real substantial thought for our post-modern times. James, in recognizing this fact, devotes this text to drawing the reader into the larger context of Nancy's theory. The project is an amazing success; and illustrates the author's deep understanding of the entire movement of french post-modern thinking. Nancy becomes an extension of the "big-3" in German philosophy: Kant, Hegel, and Heidegger. James tells us that all three hover around a central problem; that of "presentation", or the eventual positing of the true. The issue first emerged with Kant who was stuck with a methodology of "schematism", where presentation is split into "darstellung" or the rational and "dichtung" or the metaphorical. Hegel tries to surpass the problem with "absolute spirit" but is trapped, according to Heidegger, in being situated in a dichotomy of "subject / object", which he cannot escape. Nancy feeds off Heidegger who also fails in presenting a "groundless subject"; and comes up with the radical post-modern notion of the imperative necessity of philosophy returning to its embeddedness in literature and aesthetics. James tells us this is where Nancy began in his early years. The later years must be filtered through this general conviction.
THE LARGER PICTURE IS PRESENTED: Jean-Luc Nancy has been the one post-modern thinker to eventually rise to the top. A thinker with real substantial thought for our post-modern times. James, in recognizing this fact, devotes this text to drawing the reader into the larger context of Nancy's theory. The project is an amazing success; and illustrates the author's deep understanding of the entire movement of french post-modern thinking. Nancy becomes an extension of the "big-3" in German philosophy: Kant, Hegel, and Heidegger. James tells us that all three hover around a central problem; that of "presentation", or the eventual positing of the true. The issue first emerged with Kant who was stuck with a methodology of "schematism", where presentation is split into "darstellung" or the rational and "dichtung" or the metaphorical. Hegel tries to surpass the problem with "absolute spirit" but is trapped, according to Heidegger, in being situated in a dichotomy of "subject / object", which he cannot escape. Nancy feeds off Heidegger who also fails in presenting a "groundless subject"; and comes up with the radical post-modern notion of the imperative necessity of philosophy returning to its embeddedness in literature and aesthetics. James tells us this is where Nancy began in his early years. The later years must be filtered through this general conviction.
Tuesday, August 20, 2013
NANCY: EMERGENCE OF "SACRED-IMAGE"
click on: direct link for file http://www.mediafire.com/listen/zamfpde1m7rta5q/nancyx.mp3
THE EMERGENCE OF THE "SACRED-IMAGE": Aesthetics is not a tangential area of thought in Nancy's system; it is a critical part of the core of his position. This book is an essential part of understanding his thought. The "cognitive-registers-of-meaning" in today's society have failed and fragmented. Aesthetics rescues us by taking us beyond the "cognitive"; similar in the way Hegel introduced "counter-blow" as a necessity to pass back out of philosophy and rejoin art, for the "beyond-of-saying".
Jean-Luc Nancy primarily addresses "painting" here but the principles apply to all aesthetics. And he combines "creator"and "observer", rather than restricting perspective.
In this book, Nancy reveals to us the "8" moments of the emergence of the "sacred-image". I will give them to you now , as it may assist you in your reading. They are as follows:
1. Image-as-hidden-surface
2. Image-as-distinction
3. Image-as-mystic-intimacy
4. Image-as-trace-of-meaning
5. Image-as-horizon
6. Image-as-access
7 Image-as-cut-out
8. Image-as-poetry
THE EMERGENCE OF THE "SACRED-IMAGE": Aesthetics is not a tangential area of thought in Nancy's system; it is a critical part of the core of his position. This book is an essential part of understanding his thought. The "cognitive-registers-of-meaning" in today's society have failed and fragmented. Aesthetics rescues us by taking us beyond the "cognitive"; similar in the way Hegel introduced "counter-blow" as a necessity to pass back out of philosophy and rejoin art, for the "beyond-of-saying".
Jean-Luc Nancy primarily addresses "painting" here but the principles apply to all aesthetics. And he combines "creator"and "observer", rather than restricting perspective.
In this book, Nancy reveals to us the "8" moments of the emergence of the "sacred-image". I will give them to you now , as it may assist you in your reading. They are as follows:
1. Image-as-hidden-surface
2. Image-as-distinction
3. Image-as-mystic-intimacy
4. Image-as-trace-of-meaning
5. Image-as-horizon
6. Image-as-access
7 Image-as-cut-out
8. Image-as-poetry
Saturday, August 17, 2013
Thursday, August 15, 2013
Wednesday, August 14, 2013
Sunday, August 11, 2013
NANCY'S "CORPUS"
click on direct link for file.http://www.mediafire.com/listen/ya76w7ksjc3ucbw/nancy9.mp3
this is my 7th reading of Nancy; I am a huge fan of his thought. But I want to give a helpful and honest account of this work, without my bias. If you have not already studied Nancy, you should not make this book your first reading. STOP; and purchase this book instead: "the sense of the world" . If you have studied Nancy to some degree already, then: PROCEED.
all post-modern thinkers emphasize the fact that "significance -of-spirit" cannot be articulated in language. But they have to write books and essays presenting this fact; so they are left on the edge of the void-point, looking for new words. Since none exist; they engage in poetic-writing to express their ideas. "Some" of this is allowed. Let's be fair about that. But the over-use and obscure-use of poetic language is not allowed in an academic text. The beginning of this book is a "dark-comedy", as the other reviewer of this book emphasizes. I agree with that review. It helped me to stay objective. Bravo, for writing an honest critique. But I'll go a step further and call this dark-comedy - "bad-poetry". The beginning of this manuscript completely evacuates the reader from the void-point, where Nancy prefers that the reader remain. It is very frustrating and can be endured only if you already have internalized his system; so you cannot be lost.
But, staying un-lost is important; because , later he returns to a "teachable void-point" and actually clarifies previous concepts he had left unclear during his dominance during the years of 1993 to 1997.
this is my 7th reading of Nancy; I am a huge fan of his thought. But I want to give a helpful and honest account of this work, without my bias. If you have not already studied Nancy, you should not make this book your first reading. STOP; and purchase this book instead: "the sense of the world" . If you have studied Nancy to some degree already, then: PROCEED.
all post-modern thinkers emphasize the fact that "significance -of-spirit" cannot be articulated in language. But they have to write books and essays presenting this fact; so they are left on the edge of the void-point, looking for new words. Since none exist; they engage in poetic-writing to express their ideas. "Some" of this is allowed. Let's be fair about that. But the over-use and obscure-use of poetic language is not allowed in an academic text. The beginning of this book is a "dark-comedy", as the other reviewer of this book emphasizes. I agree with that review. It helped me to stay objective. Bravo, for writing an honest critique. But I'll go a step further and call this dark-comedy - "bad-poetry". The beginning of this manuscript completely evacuates the reader from the void-point, where Nancy prefers that the reader remain. It is very frustrating and can be endured only if you already have internalized his system; so you cannot be lost.
But, staying un-lost is important; because , later he returns to a "teachable void-point" and actually clarifies previous concepts he had left unclear during his dominance during the years of 1993 to 1997.
Thursday, August 1, 2013
NANCY'S: "CIVIL SOCIETY"
click on: direct link to file. http://www.mediafire.com/?mj50a22puai8y84
NANCY'S PHILOSOPHY OF CIVIL-SOCIETY: Nancy consolidated his thought during the French-publication years of 1993 to 1997. This manuscript was published in 1996 and falls within that range. It should be considered as essential to understanding Nancy's overall position. Each work during these 4 years presented an important point-of-view concerning his structure of "Being".
In this text, he centers on the philosophy of civil society and adds that the "primary" function of philosophy is to articulate "civil-society". He traces this emphasis back to the Greeks of Athens; where even the theater played a role in presenting the"myth" that would inform the direction of society.
some of the more important aspects of this work consist of: (1) his first specific step-by-step articulation of the birth of the "self" when confronted by the "other". (2) a better presentation of "ex-scribing" as both moment and process. (3) and a better job of integrating the mediation of the "void-point" into the system; actually linking psychology and mythology. Nancy's system runs from psychology to mythology to ethics. Here, they are presented together.
NANCY'S PHILOSOPHY OF CIVIL-SOCIETY: Nancy consolidated his thought during the French-publication years of 1993 to 1997. This manuscript was published in 1996 and falls within that range. It should be considered as essential to understanding Nancy's overall position. Each work during these 4 years presented an important point-of-view concerning his structure of "Being".
In this text, he centers on the philosophy of civil society and adds that the "primary" function of philosophy is to articulate "civil-society". He traces this emphasis back to the Greeks of Athens; where even the theater played a role in presenting the"myth" that would inform the direction of society.
some of the more important aspects of this work consist of: (1) his first specific step-by-step articulation of the birth of the "self" when confronted by the "other". (2) a better presentation of "ex-scribing" as both moment and process. (3) and a better job of integrating the mediation of the "void-point" into the system; actually linking psychology and mythology. Nancy's system runs from psychology to mythology to ethics. Here, they are presented together.
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